Author Interview: James Brandon

Ziggy, Stardust and Me by James Brandon
Links: Amazon • TBD • Goodreads
Publication Date: August 6, 2019

The year is 1973. The Watergate hearings are in full swing. The Vietnam War is still raging. And homosexuality is still officially considered a mental illness. In the midst of these trying times is sixteen-year-old Jonathan Collins, a bullied, anxious, asthmatic kid, who aside from an alcoholic father and his sympathetic neighbor and friend Starla, is completely alone. To cope, Jonathan escapes to the safe haven of his imagination, where his hero David Bowie’s Ziggy Stardust and dead relatives, including his mother, guide him through the rough terrain of his life. In his alternate reality, Jonathan can be anything: a superhero, an astronaut, Ziggy Stardust, himself, or completely “normal” and not a boy who likes other boys. When he completes his treatments, he will be normal—at least he hopes. But before that can happen, Web stumbles into his life. Web is everything Jonathan wishes he could be: fearless, fearsome and, most importantly, not ashamed of being gay.

Jonathan doesn’t want to like brooding Web, who has secrets all his own. Jonathan wants nothing more than to be “fixed” once and for all. But he’s drawn to Web anyway. Web is the first person in the real world to see Jonathan completely and think he’s perfect. Web is a kind of escape Jonathan has never known. For the first time in his life, he may finally feel free enough to love and accept himself as he is.

A poignant coming-of-age tale, Ziggy, Stardust and Me heralds the arrival of a stunning and important new voice in YA.

I’ve been really intrigued by Ziggy, Stardust and Me ever since the beginning of the year when I was scrolling through upcoming YA debuts. Between the cover and the synopsis, I was super excited to read it, and I’m thrilled to bring you an interview with the author today!

Thank you so much to Penguin and James Brandon for making this post possible!


Between acting, producing, becoming a certified yoga instructor, and the different committees you belong to, you’ve had a really interesting life! Can you talk a little bit about the process of adding “published author” to that list?

Well, how’s this for an answer: astrologers have always told me I should be writing, but I resisted it my entire life for some reason. Maybe the thought terrified me. (It still does even after I’ve become published.) But I’d been mulling on the idea of Ziggy for almost a decade when my agent, who also happens to be my best friend, encouraged me to write it. After taking some classes, immersing myself in craft books, and reading a thousand more YA novels, I finally decided I had the tools to start writing. So I did. Over a hundred and fifty drafts later (a number that I assure you is not exaggerated), I turned in the manuscript and within three months it sold to Stacey Barney at Penguin. (My #1 Top Choice Editor, by the way!) Because I come from an acting background, and the immense amount of work I do to dive into each character I portray, it was surprisingly easy for me to transfer my knowledge of character building onto the page. And it was such an enormous thrill to create the words rather than speak someone else’s.

I haven’t seen a lot of YA historical fiction set in the 1970s. What inspired you to write this book?

After a friend brought me an episode of This American Life, titled “81 Words,” the seed for Ziggy, Stardust & Me was planted. The episode documents the moment in time—December 15, 1973—when homosexuality was officially removed from the DSM (The Diagnostic and Statistical Manual, otherwise known as the Big Book of Mental Illnesses), and suddenly all those who identified on the LGBTQ+ spectrum were cured. This, after coming on the heels of the Stonewall Riots, birthed the modern-day LGBTQ+ movement as we know it today. And I knew nothing of this time. 

Queer history isn’t taught. Currently only four US states require it in public high schools and even then it’s taking a long time to implement exactly how it will be included in curriculum. So my main goal in writing the book was to educate readers of all ages about our history, and to honor those LGBTQ+ peoples who’ve struggled, survived, and pioneered our paths so we can live out and proud today.

What was the most challenging aspect of writing this book?

There were many, but one stands out as the most challenging on a personal level. After Stacey Barney (my editor at Penguin) bought the book, we worked on two major rewrites together. Every character must have an arc, a personal journey of internal and external change they make through the course of the narrative. One of the notes Stacey gave me was that she didn’t believe Jonathan’s journey to self-acceptance. This was painful to acknowledge and incredibly hard for me to hear. Out of all the facets of the novel, and being out for over half of my life, I thought for sure I’d at least mastered this aspect of his character. But upon deeper reflection, I started to question how much I actually accept my self. Self-introspection is never easy, but this one hurt because I realized how far I have yet to go in this arena. In subsequent drafts, I wrote a line for Jonathan that says something like, “Once a seed of shame is planted within it never goes away.” This is true for anyone who’s ever been told they’re wrong for something they innately know is right. But once I discovered this truth, and embraced the complexities behind it, I was able to unlock the key to Jonathan’s journey, and maybe more importantly, my own.

I won’t make you choose which of the characters in this book is your favorite, but is there one that you relate to or connect with more than the others?

I suppose there’s a small piece of me in every character, but I think my protagonist, Jonathan, is the one I’m most connected with. He’s not me, but we definitely share some similarities. I purposely set the story in St. Louis because it’s my hometown, and growing up gay in St. Louis came with many emotional complexities I knew I could more easily attach to in his character. I also have had asthma my entire life, and although I never considered it a disability, it certainly limited my activities as a child. And because of it, because I grew up an only child and had to mostly play indoors, I developed a wild imagination. (Which you’ll note is quite prevalent to Jonathan’s character.) There are many “wishful thinking” moments I’ve incorporated into Jonathan’s voice: things I wish I was brave enough to do then, things I wished I’d said, believed, or understood. I guess in many ways writing him was a personally cathartic experience for me, one I’m incredibly grateful I had the opportunity to explore.

What are some songs that you feel fit well with your book?

Well, if you aren’t listening to Ziggy Stardust and the Spiders from Mars album while reading this book, you’re definitely missing out. This goes for Pink Floyd’s Dark Side of the Moon and Roberta Flack’s First Take albums as well. There’s an entire soundtrack written throughout the narrative and I created a Spotify playlist so you can listen to each song that’s talked about for a fuller immersion into the story. You can find it on my website or linked in my bios on Twitter or Instagram.

Are there any books that you’ve read recently that you’d recommend checking out?

So many, it’s hard to know where to start! I’ll name my top recent fab five: Like a Love Story by Abdi Nazemian, The Grief Keeper by Alexandra Villasante, Pet by Akwaeke Emezi, Patron Saints of Nothing by Randy Ribay, The Music of What Happens by Bill Konigsberg, and okay, six, The Whispers by Greg Howard (MG title), and fine, fine, fine, seven: River of Royal Blood by Amanda Joy. 

What’s your all-time favorite book?

How dare you. 


About the Author

 

James Brandon produced and played the central role of Joshua in the international tour of Terrence McNally’s Corpus Christi for a decade, and is Co-Director of the documentary film based on their journey: Corpus Christi: Playing with Redemption. He’s Co-Founder of the I AM Love Campaign, an arts-based initiative bridging the faith-based and LGBTQ2+ communities, and serves on the Powwow Steering Committee for Bay Area American Indian Two-Spirits (BAAITS) in San Francisco. He’s also a certified Kundalini Yoga teacher, spent a summer at Deer Park Monastery studying Zen Buddhism, and deepened his yogic practice in Rishikesh, India. Brandon is a contributing writer for Huffington PostBelieve Out Loud, and Spirituality and Health MagazineZiggy, Stardust, and Me is his first novel.


Have you read Ziggy, Stardust and Me? What’s the best YA historical fiction you’ve read recently? Let’s talk in the comments!

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ARC Review: The Story That Cannot Be Told by J. Kasper Kramer

The Story That Cannot Be Told by J. Kasper Kramer
Rating: ★★★★★
Links: Amazon • TBD • Goodreads
Publication Date: October 8, 2019
Source: ARC via author/publisher

A powerful middle grade debut that weaves together folklore and history to tell the story of a girl finding her voice and the strength to use it during the final months of the Communist regime in Romania in 1989.

Ileana has always collected stories. Some are about the past, before the leader of her country tore down her home to make room for his golden palace; back when families had enough food, and the hot water worked on more than just Saturday nights. Others are folktales like the one she was named for, which her father used to tell her at bedtime. But some stories can get you in trouble, like the dangerous one criticizing Romania’s Communist government that Uncle Andrei published—right before he went missing.

Fearing for her safety, Ileana’s parents send her to live with the grandparents she’s never met, far from the prying eyes and ears of the secret police and their spies, who could be any of the neighbors. But danger is never far away. Now, to save her family and the village she’s come to love, Ileana will have to tell the most important story of her life.

Once upon a time, something happened. If it had not happened, it would not be told.

From the first time I heard about this book, I was intrigued. A middle grade historical fiction novel set in Communist Romania? That’s a little different from what I usually read, and a little different from what I usually see floating around the book blogging world.

The thing is, I’ve been in kind of an extended reading slump for a few months now. It’s very rare that I want to pick up a book for more than a few minutes at a time, but this one had me hooked from the first page. Quite honestly, I probably could have finished it in one sitting if I hadn’t had other things to do.

So, where do I even start with this review? I guess, first, I’ll talk about Ileana and what a great heroine she was. Sure, she’s a great storyteller. But she’s also smart and perceptive and a little bit sassy, and above all, she’s a normal little girl. She makes mistakes and lives through the consequences. She questions the Communist government that she’s grown up in without it feeling forced or overly political. Her character growth over the course of this book is incredible and I was so, so proud of her by the end of the book.

The next thing I want to talk about is the story itself. I’ve never read a book quite like this before, and I think that was another thing that kept the pages turning. Not only was there the story of Ileana moving from the city to the country to (hopefully) escape the Romanian Securitate, but interspersed throughout the story are chapters of Romanian folktales, which I loved. Toward the end of the book, I actually got goosebumps reading about how everything played out.

As always, I want to avoid spoilers, so I’m going to cut myself off here. I’ll end by saying that this is one of the best books I’ve read so far this year and I’m really looking forward to reading more from this author.


ABOUT THE AUTHOR

 

J. Kasper Kramer is an author and English professor in Chattanooga, Tennessee. She has a master’s degree in creative writing and once upon a time lived in Japan, where she taught at an international school. When she’s not curled up with a book, Kramer loves researching lost fairy tales, playing video games, and fostering kittens.

Twitter • Website • InstagramFacebook


Have you read The Story That Cannot Be Told? What are some of your favorite historical fiction books?
Let’s talk in the comments!

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Guest Post: The Story That Cannot Be Told by J. Kasper Kramer (Playlist)

I am so excited to have J. Kasper Kramer here to share a playlist of songs that go along with her new book, The Story That Cannot Be Told. I absolutely loved this book and my review will be up later in the month.


Here’s a selection of songs that helped me write The Story That Cannot Be Told.

“Dear Reader” – Jason Graves (from Moss)

I’m a video game nerd, so a lot of the music I listen to comes from games. The entire soundtrack to Moss could be on this list. It’s absolutely perfect.

“Worth Fighting For” – Emily Hearn 

Not to get too spoiler-y, but this song, especially the chorus, makes me think of Ileana during some important moments in the novel, when she’s feeling hopeless but chooses to keep going.

“Childhood I” – Atrium Carceri

No exaggeration, I’ve probably listened to this (and “Childhood II”) on repeat for days at a time. It has a fantastic spooky fairytale feel, which is just right for some of the creepier moments in Story, like when Ileana’s traveling up the mountain to the village in the dark.

“Where Is Love Now” – Nickel Creek

Nickel Creek is a go-to favorite, and this song really captures how lost Ileana feels after a certain someone betrays her and sends her away.

“Owl’s Friend” – Alan Gogoll

This whole album felt right for Story in its happier, more light-hearted moments. It was hard to pick just one song, but “Owl’s Friend” feels like an appropriate choice. It makes me think of Ileana and Gabi hanging around together, not doing their homework.

“Endless Fragments of Time” – Deep Watch

Another song that played on repeat a lot. This one was the exact tone I needed for writing the fever dream, where Ileana travels to the monastery at the top of the world. 

“One Summer’s Day” – Joe Hisaishi (from Spirited Away

I’m a huge Ghibli fan, and I’m sure my writing is influenced by their movies. (Doesn’t Story’s cover even have a bit of a Miyazaki feel? I think that’s one of the reasons I love it so much.) You could probably pick any Ghibli score and fit it to something in one of my books, but this specific song makes me think of Gabi and Ileana at the end of the summer, when they share a special day together in the fields.

“Safe and Sound” – Taylor Swift and The Civil Wars

I found this song long before Story was even an idea in my head, but it fits really nicely. I like to imagine Mamaie or Tataie reassuring Ileana, perhaps when she’s sick or when she’s fearing for their safety and the safety of the village.

“Dream. Build. Repeat.” – Jim Guthrie and JJ Ipsen (from Planet Coaster)

This album is amazing. Another video game score for the win. “Dream. Build. Repeat.” makes me think of Ileana and Gabi enjoying nature and creating stories together.

“You Were Never Gone” – Hannah Ellis (from Teen Wolf)

I suppose this song fits best at the end of the novel, but I listened to it often while brainstorming for several important scenes—some which didn’t even make it into the final version of the novel. There’s something about the bittersweet lyrics and desperate buildup at the end that really helped me capture Ileana’s emotions.

“Snow Angels” – Thomas Bergersen and Two Steps from Hell

I found Two Steps from Hell over a decade ago, before they had much public music available, and I’ve been a huge fan ever since. You likely know some of their songs from movie trailers. This one fits nicely in the scene where everyone steps outside Sanda’s house, a bit mesmerized, after being snowed in for quite some time.

“The Truth” – Fernando Velazquez (from A Monster Calls)

I absolutely adore this book, and though I always feel strange comparing my work to things I admire, Story also has difficult themes and some similar narrative structure, so including something from this score felt appropriate. I won’t spoil anything, but to me this song captures the emotion of several important moments for Ileana during and shortly after the novel’s climax.

“Light” – Sleeping at Last

If Tata was a singer—which he certainly isn’t—he would sing this song to Ileana at the end of my novel.

You can find the Spotify playlist here:


ABOUT THE BOOK

The Story That Cannot Be Told by J. Kasper Kramer
Links: Amazon • TBD • GoodreadsIndiebound
Publication Date: October 8, 2019

A powerful middle grade debut that weaves together folklore and history to tell the story of a girl finding her voice and the strength to use it during the final months of the Communist regime in Romania in 1989.

Ileana has always collected stories. Some are about the past, before the leader of her country tore down her home to make room for his golden palace; back when families had enough food, and the hot water worked on more than just Saturday nights. Others are folktales like the one she was named for, which her father used to tell her at bedtime. But some stories can get you in trouble, like the dangerous one criticizing Romania’s Communist government that Uncle Andrei published—right before he went missing.

Fearing for her safety, Ileana’s parents send her to live with the grandparents she’s never met, far from the prying eyes and ears of the secret police and their spies, who could be any of the neighbors. But danger is never far away. Now, to save her family and the village she’s come to love, Ileana will have to tell the most important story of her life.


ABOUT THE AUTHOR

 

J. Kasper Kramer is an author and English professor in Chattanooga, Tennessee. Her debut novel, The Story That Cannot Be Told, is forthcoming from Simon & Schuster/Atheneum on October 8th. You can find her online at www.jkasperkramer.com and on Twitter @JKasperKramer.


Have you read The Story That Cannot Be Told? Do you love any of these songs?
Let’s talk in the comments!

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ARC Review: The Lady Rogue by Jenn Bennett

The Lady Rogue by Jenn Bennett
Rating: ★★★☆☆
Links: Amazon • TBD • Goodreads
Publication Date: September 3, 2019
Source: ARC via publisher

The Last Magician meets A Gentleman’s Guide to Vice and Virtue in this thrilling tale filled with magic and set in the mysterious Carpathian Mountains where a girl must hunt down Vlad the Impaler’s cursed ring in order to save her father.

Some legends never die…

Traveling with her treasure-hunting father has always been a dream for Theodora. She’s read every book in his library, has an impressive knowledge of the world’s most sought-after relics, and has all the ambition in the world. What she doesn’t have is her father’s permission. That honor goes to her father’s nineteen-year-old protégé—and once-upon-a-time love of Theodora’s life—Huck Gallagher, while Theodora is left to sit alone in her hotel in Istanbul.

Until Huck arrives from an expedition without her father and enlists Theodora’s help in rescuing him. Armed with her father’s travel journal, the reluctant duo learns that her father had been digging up information on a legendary and magical ring that once belonged to Vlad the Impaler—more widely known as Dracula—and that it just might be the key to finding him.

Journeying into Romania, Theodora and Huck embark on a captivating adventure through Gothic villages and dark castles in the misty Carpathian Mountains to recover the notorious ring. But they aren’t the only ones who are searching for it. A secretive and dangerous occult society with a powerful link to Vlad the Impaler himself is hunting for it, too. And they will go to any lengths—including murder—to possess it. 

Let me just start this review off by saying that The Lady Rogue was one of my most anticipated books for the entirety of 2019. Jenn Bennett is one of my all-time favorite authors (if not the favorite, I mean… just look at that drawing of me holding Starry Eyes below) and I basically devour everything that she ever writes. As much as it pains me to say it, The Lady Rogue and I did not click as much as I’d hoped.

Part of this, I think, is definitely me. It’s been a stressful few weeks in this household. Major life changes are coming and I’ve had very little time to read. I’ve been in the mood for something I can sit down and finish in one sitting, not a book that would take several hours of my time.

I picked this one up and put it right back down a few times in the past month because I just couldn’t get into it. But I threw this book in my backpack when I took a quick weekend trip to Tennessee, just on the off chance that I’d get a minute to read it, and ended up with a cancelled flight and, finally, a lot of time to read. And while it might have taken me several weeks to get into it, once I got into it, I finished it in a couple of hours.

All of this is to say that this is not a bad book. There is nothing inherently wrong with this book. And three stars is not a bad rating! It’s one of those it’s not you, it’s me kind of things.

I will explain.

First things first, what I liked. As always, I love Jenn Bennett’s writing style. She’s one of those writers that, once I get absorbed in the book, I can just go for hours without stopping. The action was steady, but never too much. I loved our main character, Theo, and her adventures traipsing around Europe in search of a mystical ring and her missing father.

Now, for what I wasn’t so sold on. I’ve spent a little bit of time sitting here thinking about why exactly I didn’t love this book as much as I’ve loved Jenn Bennett’s other work, and I think a lot of it comes down to the genre. I’ve had a hard time recently getting into this fantastical kind of adventure story recently (see The Lady’s Guide to Petticoats and Piracy).

I also associate Jenn Bennett with cute contemporary romances (see Starry Eyes, Alex, Approximately, The Anatomical Shape of a Heart, Serious Moonlight) and although there’s the barest hint of a romance here, it felt kind of like an afterthought. Huck was definitely my least favorite of Bennett’s love interests and I really struggled to feel any chemistry between him and Theo. But, again, romance isn’t really the point of this book. The adventure is the point, and I kept having to remind myself of that.

I think, all in all, that The Lady Rogue is a really well-written, really fun YA historical fantasy. If you go into it knowing that’s what it is and are prepared for it to be very different from Bennett’s previous work, you’ll probably enjoy it. Even though it wasn’t my favorite of her work, I can still appreciate the good writing and the good story, and I’m so excited to read whatever she comes up with next.


#arcaugust
#mm19: mode of transportation


Have you read The Lady Rogue? Is it on your TBR?
Let’s talk in the comments!

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Book Review: The One Hundred Nights of Hero by Isabel Greenberg

The One Hundred Nights of Hero by Isabel Greenberg
Series: Early Earth
Rating: ★★★★★
Links: Amazon • TBD • Goodreads
Publication Date: December 20, 2016
Source: Purchased

In the tradition of The Arabian Nights, a beautifully illustrated tapestry of folk tales and myths about the secret legacy of female storytellers in an imagined medieval world.

In the Empire of Migdal Bavel, Cherry is married to Jerome, a wicked man who makes a diabolical wager with his friend Manfred: if Manfred can seduce Cherry in one hundred nights, he can have his castle–and Cherry.

But what Jerome doesn’t know is that Cherry is in love with her maid Hero. The two women hatch a plan: Hero, a member of the League of Secret Story Tellers, will distract Manfred by regaling him with a mesmerizing tale each night for 100 nights, keeping him at bay. Those tales are beautifully depicted here, touching on themes of love and betrayal and loyalty and madness.

As intricate and richly imagined as the works of Chris Ware, and leavened with a dry wit that rivals Kate Beaton’s in Hark! A Vagrant, Isabel Greenberg’s One Hundred Nights of Hero will capture readers’ hearts and minds, taking them through a magical medieval world. 

You might remember me reviewing The Encyclopedia of Early Earth not too long ago. I ended up buying The One Hundred Nights of Hero since I enjoyed both the art style and the subtle humor in The Encyclopedia of Early Earth, and I was not disappointed.

The One Hundred Nights of Hero is the story of a young woman, Cherry, who is married to an evil man, Jerome, who bets a friend that he can’t seduce Cherry while Jerome is away. If his friend, Manfred, succeeds in seducing Cherry, Jerome is willing to give him both his castle and his wife. When Cherry finds out about the wager, she knows that Manfred will do everything in his power to sleep with her, including by force if necessary. Luckily, her maid, friend, and lover Hero is a member of the League of Secret Story Tellers and weaves stories, night after night, to keep Manfred distracted from the seduction.

I loved the larger story here, including the positive portrayal of a f/f relationship in a time when that was not accepted, but what I really adored were Hero’s stories. The stories were empowering, fantastical, and whimsical. The stories could be a bit quirky and a bit sassy at times, but everything balanced so well that I don’t really have any complaints.

I had initially thought I’d rate this four stars, but looking back… there’s nothing I didn’t like, so it turns out it’s a five.

#mm19: through the years


Have you read The One Hundred Nights of Hero? What about The Encyclopedia of Early Earth? Let’s talk in the comments!

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ARC review: We Are Lost and Found by Helene Dunbar

We Are Lost and Found by Helene Dunbar
Rating: ★★★☆☆
Links: Amazon • TBD • Goodreads
Publication Date: September 3, 2019
Source: ARC via Netgalley

A poignant, heartbreaking, and uplifting, story in the tradition of The Perks of Being a Wallflower about three friends coming-of-age in the early 1980s as they struggle to forge their own paths in the face of fear of the unknown.

Michael is content to live in the shadow of his best friends, James, an enigmatic teen performance artist who everyone wants and no one can have and Becky, who calls things as she sees them, while doing all she can to protect those she loves. His brother, Connor, has already been kicked out of the house for being gay and laying low seems to be his only chance to avoid the same fate. 

To pass the time before graduation, Michael hangs out at The Echo where he can dance and forget about his father’s angry words, the pressures of school, and the looming threat of AIDS, a disease that everyone is talking about, but no one understands.

Then he meets Gabriel, a boy who actually sees him. A boy who, unlike seemingly everyone else in New York City, is interested in him and not James. And Michael has to decide what he’s willing to risk to be himself.

I’ll be honest and admit the the only reason I really requested an ARC of We Are Lost and Found was its cover. I was also pretty intrigued by the setting (New York City in the early 1980s) and the fact that this basically sounded like a YA version of Rent. Well, after reading it, I can say that it definitely isn’t YA Rent, although it was an interesting and well-written book.

So… we’ll start with the good. I loved Becky and James. They felt like they could really be my friends. I liked Michael’s complicated relationship with his brother. I pretty much love anything set in the 80s, so that was a definite plus for me too. I also thought that the book was really well-written.

Things I liked less were the lack of quotation marks throughout the book — it made it very difficult to determine who was talking, if anyone, and really pulled me out of the story — and what felt like a lack of plot. I mean, sure, it’s about a gay boy in 1980s NYC amid the AIDS crisis, but nothing huge happens.

The synopsis of this book compares it to The Perks of Being a Wallflower, which, for once, is a pretty accurate comparison. I had the same problem with that book, so it might just be an issue of me not really connecting with this type of story.


Have you read We Are Lost and Found? Can you recommend any good books on this topic? Let’s talk in the comments!

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Mini Review: Here by Richard McGuire

Here by Richard McGuire
Rating: ★★★★★
Links: Amazon • TBD • Goodreads
Publication Date: December 4, 2014
Source: Borrowed

Here is Richard McGuire’s unique graphic novel based on the legendary 1989 comic strip of the same name.

Richard McGuire’s groundbreaking comic strip Here was published under Art Spiegelman’s editorship at RAW in 1989.

Built in six pages of interlocking panels, dated by year, it collapsed time and space to tell the story of the corner of a room – and its inhabitants – between the years 500,957,406,073 BC and 2313 AD.

The strip remains one of the most influential and widely discussed contributions to the medium, and it has now been developed, expanded and reimagined by the artist into this full-length, full-colour graphic novel – a must for any fan of the genre.

I feel like I’m starting a lot of reviews recently by saying, “I want to start off by saying…” but here I am again, starting by saying something. In the case of Here, it’s that I’m not reviewing this as a book, because there’s really not a story here. I’m reviewing this as an entertainment experience and a work of art. Because, the thing is, there are very few words in Here. This is a book about a room, or even a place in the world, over the course of billions of years.

It’s hard to put into words what exactly I thought about this book, mostly because I was so impressed that a room could tell a story without any set characters and with very little dialogue. Some of my favorite scenes were the ones where the same thing was happening in the room decades apart. I also loved the prehistoric scenes since they had some of the most beautiful artwork.

It’s rare for me to want to buy a graphic novel after I finish it, but this is one I’d love to have on my shelf.


Have you read Here? What’s the most unique book you’ve read recently?
Let’s talk in the comments!

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