New York City, late 1970s. Times Square is a haven for sex and drugs. The city teeters on the verge of bankruptcy, while blackouts can strike at any moment. This is the world of THE KITCHEN.
The Irish gangs of Hell’s Kitchen rule the neighborhood, bringing terror to the streets and doing the dirty work for the Italian Mafia. Jimmy Brennan and his crew were the hardest bastards in the Kitchen, but after they’re all put in prison, their wives—Kath, Raven and Angie—decide to keep running their rackets. And once they get a taste of the fast life and easy money, it won’t be easy to stop.
THE KITCHEN takes one of the most popular genres in entertainment and, like The Sopranos, reimagines it for a new generation to present a classic gangster story told from a fresh point of view.
Written by talented newcomer Ollie Masters with stunning art by Ming Doyle (Mara) and killer covers by Becky Cloonan (GOTHAM ACADEMY, Killjoys, DEMO), THE KITCHEN is not to be missed.
Collects THE KITCHEN #1-8.
I hadn’t heard of The Kitchen before searching for books that I hadn’t already read that were becoming movies, but it was available on Hoopla and it sounded interesting enough. This graphic novel takes a very simple concept — what if a bunch of mobsters went to prison and their wives took over — and attempts to turn it into a story about gender roles.
I can’t really say that it succeeds, because there’s little difference between the husbands and wives. The women, understandably, want to be taken seriously, but their way of being taken seriously is basically just being very, very violent. Mob stories in general aren’t my favorite, and this one just didn’t have enough outside of the standard grisly murder scenes to keep my interest.
I can see how this could be expanded into a decent movie, but as a graphic novel, it left me disappointed.
#ps19: a book becoming a movie in 2019
THE END IS HERE!
After surviving adventures in their past, present and future, the Paper Girls of 1988 embark on one last journey, a five-part epic that includes the emotional double-sized series finale. Featuring a new wraparound cover from Eisner Award-winning co-creator CLIFF CHIANG, which can be combined with the covers of all five previous volumes to form one complete mega-image!
Collects PAPER GIRLS #26-30
Paper Girls has been kind of hit or miss for me, wavering between “um, it’s fine” and “wow, that was actually pretty good,” depending on the volume. I was pretty excited when I saw that the final volume was out. I’d definitely been missing Vaughan’s work.
The final volume definitely falls into the “um, it’s fine” category. A lot happens and, honestly, it’s a little confusing. But as usual, the characters are great and the art is amazing. This isn’t my favorite of Vaughan’s work, but I’m glad I read it.
I’ve seen Emily the Strange stuff for years without really knowing what it was all about. I needed a book that someone was reading in a movie or on a TV show, and this was on the Gilmore Girls book list, so I went for it.
I am confused.
Because there’s no story.
That can be okay depending on how it’s done. I mean, graphic novels can just be a collection of short stories. But I want it to at least tell me something, not just show me an edgy teenage girl doing edgy things. I guess the title is accurate because I was lost, the story was dark, and it was incredibly boring.
#ps19: a book you see someone reading on TV or in a movie
Have you read any of these books? What’s the best graphic novel you’ve read recently?
Let’s talk in the comments!
Find me all over the internet: Goodreads | Twitter | Bloglovin’